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But it is also in the quiet moments that he really shines – the first love-me-tender meet-cute with future wife Priscilla (Olivia DeJonge) or the haunted look in his eye when they part company in the back of a limo on the airport tarmac after his years of philandering and pill-popping. Instead, it is an immersive deep dive into the character, capturing both his on-stage swagger and his increasingly fractious behaviour off it, as fame overwhelms him. “And I think that was the only way, because he didn’t want to do an impersonation.” Baz Luhrmann on the ‘Elvis’ set with Olivia DeJonge and Austin Butler (Photo: Warner Brothers) “He’s been living Elvis for three years,” adds Luhrmann. “It was right when I was preparing for the screen test of Elvis,” he explains.
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He turned down other auditions and, when the Tarantino movie and Jim Jarmusch’s zombie comedy The Dead Don’t Die, in which he also featured, were in Cannes in 2019, he passed up the opportunity to go.
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For months before he got the role, Butler rehearsed with Luhrmann, singing classics such as “Hound Dog” and “Suspicious Minds”. “He said, ‘You’ve got to see him I’ve never seen a work ethic like it.’”īutler worked like a demon to become Elvis. Then the director took a call from Denzel Washington, who had worked with Butler on a Broadway run of The Iceman Cometh. But I’m starting to feel like he kind of chose me or it chose us.”Īustin pricked Luhrmann’s curiosity by sending a video of himself singing “Unchained Melody”. “I did in the end – I put him through the ringer, I tested him in every possible way. “I’m not sure I chose Austin,” he clarifies.